Photo Gallery · Esna, Armant and Deir el-Medina

Esna, Armant and Deir el-Medina in Old Photos

Ten photographs of Esna, Armant, Deir el-Medina and the Asasif, with one view of the Valley of the Kings, dated between 1851 and 1862.

Beyond Luxor’s great temples, 19th-century photographers also recorded smaller and more distant sites, some reached by boat along the Nile. They show the temple at Esna, the ruins of Armant, the small temple of Deir el-Medina, the Asasif tombs and, in one view, the Valley of the Kings. The great west-bank temples have their own galleries: Medinet Habu in old photos and the Ramesseum and Colossi of Memnon in old photos. To plan a visit, see our Deir el-Medina guide and Temple of Khnum guide.

Esna and the Temple of Khnum

Two views from Esna, south of Luxor: the temple portico and the river bank.

Esna: upper part of the great portico, 1862

The upper part of the great portico of the Temple of Khnum, Esna
Francis Bedford, 1862 · albumen print · Old title: “Great Portico at Esna; Upper Section – 1862”

The upper section of the great portico of the Temple of Khnum at Esna, south of Luxor, photographed by Bedford in 1862. See the tops of the columns, which are all this view shows. The temple is dedicated chiefly to Khnum and lies in a hollow below the modern town.

Esna: date palms, sycamore and café on the Nile bank, 1851–52

Date palms, a sycamore and a café on the bank of the Nile, Esna
Félix Teynard, 1851–1852 (photographed); printed 1853–1854 · salted paper print from paper negative · 23.8 × 30.5 cm · The Metropolitan Museum of Art, accession 1976.607.72 (object 261874) · British Library 74/Cup.652.m.2, 1(72), 238 × 308 mm (another print) · Met title: “Esneh, Dattiers, Sycomore et Café Sur le Bord du Nil”; British Library English title: “Date palms, sycamore and café on the bank of the Nile, Esna”

Date palms, a sycamore and a café on the bank of the Nile at Esna, photographed by Teynard in 1851–52 and printed in 1853–54. The French title names a café (“café”); the British Library’s English title is “Date palms, sycamore and café on the bank of the Nile, Esna”. Observe the greenery along the water.

Armant’s ruins

Three views of the ruins at Armant, south of Luxor.

Armant: general view of the ruins, temple and mammisi, 1851–52

The ruins, temple and mammisi at Armant
Félix Teynard, 1851–1852 · salted paper print from paper negative · Old title: “Armant; General View of the Ruins; Temple and Mammisi”

A general view of the temple ruins and mammisi at Armant, south of Luxor, photographed by Teynard in 1851–52. A mammisi is a “birth house”, a small temple that celebrates the birth of a child god. Note the ruins spread across the site. Armant was the cult centre of the war god Montu. The Ptolemaic birth house (mammisi) of Cleopatra VII was dismantled in the early 1860s to supply stone for a sugar factory, and the main temple was largely destroyed in the nineteenth century, so these early views record buildings that no longer stand.

Armant: fragment of the temple, 1857

A ruined wall of the temple of Montu at Armant, carved with hieroglyphs, with fallen masonry in front, 1857
Francis Frith, 1857 · albumen print · 15.6 × 20.6 cm · Royal Collection Trust, acquired by King Edward VII when Prince of Wales · Old title: “Erment – Fragment of Temple 1857”

A ruined fragment of wall at Armant, its outer face covered in carved hieroglyphs, with fallen masonry in the foreground, in Frith’s 1857 series. Royal Collection Trust says the wall belongs to the temple of Montu. See the single piece of structure, and at how little of the temple it represents.

Armant: a column, c. 1857

A single column standing among the ruins at Armant, c. 1857
Francis Frith, c. 1857 · albumen print · Old title: “Erment Column”

A column at Armant, south of Luxor, around 1857, from Frith’s series. See how the column stands alone among the ruins of the successive temple buildings.

Deir el-Medina and the Asasif

Five views away from the great mortuary temples: the small temple of Deir el-Medina, the Asasif tombs, the Valley of the Kings and an ancient mud-brick arch.

Deir el-Medina: the temple, c. 1857

The temple of Hathor at Deir el-Medina seen from the front, with the brick enclosure wall behind, c. 1857
Francis Frith, c. 1857 · albumen print · 15.7 × 21.1 cm · Royal Collection Trust, acquired by King Edward VII when Prince of Wales · Old title: “Deir el-Medina Temple”

Frith’s frontal view of the temple of Hathor at Deir el-Medina, around 1857, with the remains of a birth house on the left and the brick enclosure wall behind. Royal Collection Trust notes that the temple, begun under Amenhotep III, was almost completely rebuilt under Ptolemy IV. Deir el-Medina was also the village of the artisans who built and decorated the royal tombs in the Valley of the Kings.

Deir el-Medina: the temple and the rocks, c. 1857

The temple at Deir el-Medina with the rocky hillside behind it
Francis Frith, c. 1857 · albumen print · Old title: “Deir el-Medina Temple and Rocks”

The temple at Deir el-Medina with the rocky hillside behind it, around 1857. Compare it with the previous picture to see how the cliff frames the building.

Asasif: entrance to the tombs, c. 1857

The entrance to the tombs of the Asasif
Francis Frith, c. 1857 · albumen print · Old title: “Entrance to Tombs of the Assaseef”

The entrance to the tombs at Asasif, around 1857, from Frith’s series. Observe the entrance and the ground around it. The Asasif necropolis holds large elite tombs and later funerary monuments cut into the west-bank hills.

Valley of the Kings: the valley of tombs, 1857

A rugged, barren stretch of the Valley of the Kings with a path along its floor, 1857
Francis Frith, 1857 · albumen print · 16.2 × 21.0 cm · Royal Collection Trust, acquired by King Edward VII when Prince of Wales · Old title: “Valley of Tombs of the Kings 1857”

The Valley of the Kings, the New Kingdom royal burial ground cut into the limestone hills of the west bank, in Frith’s 1857 series. The view looks down a rugged, barren valley with a path along the bottom, where two local men and a donkey walk. Our Valley of the Kings guide covers tickets and opening times.

Asasif: ancient mud-brick arch, c. 1857

An ancient crude mud-brick arch, Theban west bank
Francis Frith, c. 1857 · albumen print · Old title: “Ancient Crude Brick Arch”

An ancient crude-brick arch at Asasif on the Theban west bank, around 1857, from Frith’s series. Notice how the arch is built of brick rather than stone; tomb and temple complexes here combined unbaked brick with stone.

About these Esna, Armant and Deir el-Medina photographs

Who and when. Seven of these pictures are from Francis Frith’s 1857 Nile series. Three are catalogued by Royal Collection Trust, which holds the prints; four are matched by title and series. Félix Teynard’s two plates were made in 1851–52 and published as Égypte et Nubie in about 1858. One Esna view is by Francis Bedford in 1862.

Reading the photographs. Old titles use “Esneh”, “Erment”, “Dier-el-Medineh” and “Assaseef”; the headings here use Esna, Armant, Deir el-Medina and Asasif. Notice what is left standing in each place, and what has been lost since.

Credits and sources for the Esna, Armant and Deir el-Medina photographs

Medium, size and old title for each picture appear under the photograph itself. Links go to the holding institution’s record where one is available.

  • Esna: upper part of the great portico, 1862 — Francis Bedford, 1862.
  • Esna: date palms, sycamore and café on the Nile bank, 1851–52 — Félix Teynard, 1851–1852. The Metropolitan Museum of Art, accession 1976.607.72 (object 261874); British Library 74/Cup.652.m.2, 1(72).
  • Armant: general view of the ruins, temple and mammisi, 1851–52 — Félix Teynard, 1851–1852.
  • Armant: fragment of the temple, 1857 — Francis Frith, 1857. Royal Collection Trust, acquired by King Edward VII when Prince of Wales.
  • Armant: a column, c. 1857 — Francis Frith, c. 1857.
  • Deir el-Medina: the temple, c. 1857 — Francis Frith, c. 1857. Royal Collection Trust, acquired by King Edward VII when Prince of Wales.
  • Deir el-Medina: the temple and the rocks, c. 1857 — Francis Frith, c. 1857.
  • Asasif: entrance to the tombs, c. 1857 — Francis Frith, c. 1857.
  • Valley of the Kings: the valley of tombs, 1857 — Francis Frith, 1857. Royal Collection Trust, acquired by King Edward VII when Prince of Wales.
  • Asasif: ancient mud-brick arch, c. 1857 — Francis Frith, c. 1857.